
Pisa lies along the Arno River, about six miles from the Ligurian Sea. It is a fifteen minute train ride from Livorno (12
miles), and an hour's train ride from Pisa to Florence. While Florence is more
world-renowned than Pisa, it wasn't always that way. During the Middle Ages,
Pisa was the most powerful city in all of Tuscany. Its power began to erode
at about the same time as Florence began to flourish under the Medici
family, and the city faded from power.
Today it is a pleasant
university town but it is known mainly for its leaning tower.
Pisa's top three sites are all located in Campo dei Miracoli
(or, in English, the Field of Miracles), the buildings
that have made Pisa famous. The four most notable Pisan buildings are the
Leaning Tower of Pisa, the Cathedral (Duomo) of Pisa, the Baptistery, and
the burial grounds of the Camposanto Monumentale. The architecture of the
all of the buildings on the Campo dei Miracoli are consistent with the
arabesque style; they incorporate intricately carved column capitals
supporting tall narrow arches. After that, there isn't too much to see in
the immediate area of Pisa.

Tickets purchased at the Livorno train station to Pisa currently are 1.90 euro each
way and the trip takes between 15 - 20 minutes. When you get to Station Pisa
Central it is about a mile to the Field of Miracles (Piazza die Mira coli) that can be easily walked in 25 minutes (see map below) from Piazza della
Stationed, Pisa as your starting point and
Piazza die Mira coli, Pisa as your end point.
You can also take a bus (Shuttle
Red Lam) from Station Pisa Central (opposite the main entrance of the
station). It stops in Manin Square. And taxi service is
available opposite the main entrance of the station.
TICKETS
Tickets
and information available on-line.
HERE
For
around 17 Euro you can purchase a combination ticket-- or 15 Euro if
purchased on site (however, you may have to stand in a long line).
Credit card or Euro is the only accepted currency.
There are different combinations,
depending on which, and how many, you want to visit. For instance, you may
pay around 8 Euros each for entry to the Cathedral, Baptistery and Camposanto.
Add the Tower and you’ll pay 15 Euro, or visit the cathedral only for 5
Euro. Check the link above for current information.
On-line you must:
1. Choose the date of your
visit.
2. Choose the time of your
visit and number of tickets you would like to buy.
3. Fill-in and submit the
form with your personal data.
4. Print the voucher that is
proof of your payment and take it with you when you visit Pisa.
In order to collect your ticket and
avoid the cue you can provide your voucher to the cash desk no. 2 located
inside the "Sinopie Museum" or cash desk no. 2 at the Central Ticket office
30 minutes before the visiting time scheduled. The cashier will
give you the ticket for the visit.
(NOTE: The ticket is valid only for the time
shown on the ticket and the voucher)
Other stipulations:
*No bags or
baggage can be taken inside the sites. You must go to the proper
"left-luggage" office to hand in bags/luggage before starting the visit.
*For security
reasons, children under 8 years old are not allowed to access the Leaning
Tower.
*The visit will
last about 30 minutes and led by the staff of Opera della Primaziale Pisana.
*The spiral
staircase has 300 steps so people with heart disorders or other health
conditions should not visit the Tower.
*Some monuments
may be temporary closed for restoration or maintenance or in case of bad
weather.
* Cameras, movie cameras and video
cameras are allowed.
Campo dei Miracoli

The square
is located on the edge of the medieval city alongside the early
medieval city walls built in 1155 and still perfectly
preserved. In this patch of
green, the perfect backdrop for the white marble of
the various buildings, you
will be able to soak up some of the atmosphere as
you
take your photos.
Three massive bronze doors at the main entrance replaced the original ones
destroyed in the fire in 1595. The facade above the entrance is dominated by
four rows of tall arches which are inspired by the Moorish architecture. The
arches above the main entrance are topped by the statues of Madonna with
Child and the Four Evangelists on the corners.
The Cathedral (Duomo)
of Pisa
The
Piazza del Duomo (Cathedral Square) is dominated by the nearly
1,000-year-old Duomo di Pisa despite its close proximity to the main tourist
attraction, the famous Leaning Tower of Pisa. Designed in 1063 by
architect Busketo, the Duomo is an example of magnificent
Pisan Romanesque style architecture. The medieval cathedral, designated
to Santa Maria Assunta (St. Mary of the Assumption) is a five-nave cathedral with a three-nave transept. Buscheto, is buried in
the last blind arch on the left of the facade.
The facade, of grey marble and white stone set with discs of colored
marble, was created by a master named Rainaldo, as indicated by an
inscription above the middle door: Rainaldus prudens operator.
The normal entrance to the church, however, The Porta di San Ranieri, or the
St. Ranieri's Gate, is located just opposite the famous Leaning Tower of
Pisa. Bonanno Pisano had earlier (1180) done 3 west doors for the Pisa
Duomo which were tragically destroyed in a fire in 1595. This fourth original
bronze door survived with engravings portraying the scenes from the life of
Christ and the Virgin.

Bronze
door of San Ranieri

The nave (the central approach to the high altar)
Apse (vaulted arch at high alter)
Massive granite Corinthian columns divide the nave
and aisles. The enormous 13th-century
apse is dominated by a beautiful mosaic of Christ flanked by Blessed Virgin
and St. John the Evangelist which reveals the Byzantine influence. Though
the mosaic is often attributed to Cimabue, only St. John the Evangelist
is the work of the artist.

Giovanni Pisano's masterpiece pulpit
rests on the
beautiful floor
embellished with multicolored marble designs.
On the north side of the nave, Giovanni Pisano's stunning pulpit has
regained its rightful place. The masterpiece was built between 1302 and
1311. The beautifully sculpted panels represent scenes from the life of
Jesus.
The Cathedral was adorned through the years with numerous works of art.

On the left-hand pier at the
near end of the choir is a "Madonna and Child" by Giovanni Antonio Sogliani
The Duomo holds more treasures,
including Galileo's lamp, reputed to have belonged to the world-famous
astronomer. Hanging low near the pulpit, the large bronze lamp (according to
legend), incentivized Galileo as he stared at it swaying
gently back and forth. This is when his law of the pendulum suddenly hit him.
Since
this lamp was cast in 1586, a few years after
Galileo's discovery, another lamp
probably hung here before this one.
Leaning Tower of
Pisa
PURCHASE TICKETS ON-LINE:
HISTORY: Architects began
building this most famous of medieval campaniles in 1173, but work stopped
abruptly five years later when they first noticed a pronounced lean to the
north. This was caused by a weak foundation constructed on top of silty,
unstable soil
from a former estuary. Only three stories had gone up when they halted
construction.
In 1250 when work resumed, architects began trying to adjust the lean.
Their effort caused the Tower to have a slight banana shape by the time they reached the eighth and
final story as the campanile stayed more or less vertical at about the fifth floor.
By 1272, the tower began leaning toward the south. Before they
constructed the bell tower in 1350, architects actually tried to angle the
top of the tower back toward the north by adding four steps on the north
side and six steps on the south side at the base of the bell tower, that was
what gave the Tower an ever-so-slight S shape.
For centuries, many have offered solutions to how to right the tower. In
1934, engineers working for Italian leader Benito Mussolini, who considered
the flawed tower antithetical to Fascist ideals, tried to right it by
injecting almost 200 tons of cement into the base. The "fix" actually added
a tenth of a degree to the tilt. In the 1950s, officials silenced the seven
bells, the largest of which weighs three and a half tons, for fear their
vibrations could trigger a collapse. And in 1990, at a time when 700,000
annual visitors were ascending the campanile and the lean increased by
one-20th of an inch every year, officials closed Pisa's famous Torre
Pendente to the public.
Since then, many
experts have tried numerous methods to right or at least halt the lean of the
185-foot tower, whose top today lies 16 feet south of the base. Sophisticated monitors
were installed, which can detect movements at the
campanile's apex to within four-ten-thousandths of an inch. These
instruments pick up the tower's daily sway of about one-hundredth of an
inch, which is caused by the temperature of the sun-facing south side rising
by day and falling at night.
The device also picked up a frightening overnight increase in the lean, in
what committee members recall as "Black September." On September 6th, 1995,
after engineers had added 600 tons of lead ingots to the north side to
counteract the southward tilt, the tower jumped one-sixteenth of an inch to
the south. In tower terms, that's a lot, and some feared the tower would
topple imminently. Within 24 hours, engineers began adding an additional 230
tons of lead, and the movement stopped. After a decade of corrective
reconstruction and stabilization efforts, the tower was reopened to the
public on December 15, 2001, and was declared stable for at least another
300 years. In May 2008, after the removal of another 70 metric tons
(77 short tons) of earth, engineers announced that the Tower had been
stabilized such that it had stopped moving for the first time in its
history. They stated it would be stable for at least 200 years.
Burial grounds of the Camposanto Monumentale

The Camposanto Monumentale, is arguably the most beautiful graveyard in the
world. Lining the northern side of the Piazza dei Miracoli, the white marble
walls of the Camposanto enclose a grassy courtyard surrounded by cloisters
(covered walkways).
Many of the crumbling tombstones here are Roman dating from the 14th
century--most of the tombs are under the arcades. A collection of
sarcophagi, presently are inside the galleries near the walls. The serene atmosphere is enhanced
by the beautiful remains of frescoes that adorn the walls inside, though sadly
these were badly damaged in a fire during the war. The building was the
fourth and last one to be raised in the Cathedral Square. It was erected
over the earlier burial ground.

The outer wall is composed of 43 blind arches.
There are two doorways. The one on the right is crowned by a gracious Gothic
tabernacle. It contains the Virgin Mary with Child, surrounded by four
saints. It is the work from the second half of the 14th century by a
follower of Giovanni Pisano. This was the original entrance door. Ancient
relics that were found in Pisa now make it sort of an archeological museum
inside the cemetery.
The cemetery has three chapels. The oldest ones are the
chapel Ammannati (1360) and takes its name from the tomb of Ligo Ammannati,
a teacher in the University of Pisa; and the chapel Aulla, were there is an
altar made by Giovanni della Robbia in 1518. In this chapel we can see also
the original lamp that Galileo Galilei saw, in his time, inside the
cathedral and that was shortly replaced by the bigger one we can see now.
The last chapel was Dal Pozzo, commissioned by archbishop of Pisa Carlo
Antonio Dal Pozzo in 1594; it has an altar dedicated to St. Jerome and a
little dome. In this chapel in 2009 were translated the relics of the
Cathedral: the relics include among the others eleven of the twelve
Apostles, two fragments of the True Cross, a thorn from the Crown of Christ
and a small piece of the dress of the Virgin Mary. Also in the Dal Pozzo
chapel sometimes a Mass is celebrated.
The Baptistery
Italy's biggest baptistery. Most of
the exterior statues and decorative elements by Giovanni Pisano are now kept
in the Museo dell' Opera del Duomo, and only a few have been replaced here
with casts. It may not look it, but if you include the statue on top, this
building is actually taller than the Leaning Tower across the square. The
interior is surprisingly plain but features the first of the great Pisano
pulpits as well as a large baptismal font, carved and inlaid

The Baptistery
Pulpit was built in 1260 by Nicola Pisano. It is hexagonal in shape and the
six sculpted panels depict the life and death of Christ.
The Baptistery, near the Cathedral, is huge, and very imposing from
the inside. It is famous for the Pulpit, which is a great work of the year
1260 by Nicola Pisano.
Campo die Miracoli is pretty much
all the "tourist area" of Pisa. There are many villages and little cities
around the town that are attractive and would be great places to
visit...but that's another day.. year!
Information of where to go and what to do if you are mobility, sight or
hearing impaired - a wheelchair or cane user - and living in or visiting
Tuscany. Information on the Italian organizations and facilities.
HERE